GFA 2013-upper right

Oct. 17, 2012 - Issue #887: Dedfest

Share |

Dedfest Reviews

Reviews by Meaghan Baxter (MB) and Paul Blinov (PB).

The American Scream
Directed by Michael Stephenson
Four stars

Following his Best Worst Movie, The American Scream finds director Michael Stephenson further honing his skill in crafting fascinating portraits of everyday folk and their local legacies. Here, it's a trio of "home haunters" in Fairhaven, Massachusetts putting together annual amateur haunted houses in their yards, pulling in friends and family for extra manpower and working with varying degrees of proficiency as halloween approaches. Their stories are compelling enough in the glimpse they give into the lives— in particular the near-obsessive Victor Bariteau and his particularly tolerant family—but when dropped into the greater context of their community, how the search for a good scream can be infectious. American Scream could stand to go even deeper, perhaps, but it's still very compelling on its own merits. PB

Hemorrhage
Directed by Braden Croft
Two stars

When a troubled young man named Oliver (Alex D Mackie) is released from a mental institution, his intent is to "be a good person" and integrate back into society. Oliver happens to be a medical genius of sorts, but the reason for him being institutionalized is not made apparent to the viewer right off the bat. While attempting to piece his broken life back together, Oliver meets a nurse named Claire (Brittney Grabill), and things begin to spiral out of control.

Mackie is tremendously unsettling in his portrayal of Oliver. His quiet and often cold demeanor is able to instill a sense of fear that permeates deeper than typical gratuitous horror/suspense gore. Grabill also gives a commendable performance as Claire, but there are times throughout the film when the acting feels stiff and the plot begins to lag. Overall, Hemorrhage is a chilling, charcter-driven piece with a cast and crew full of potential, but can be a difficult film to keep up with. MB


 
vueweekly.com comments: powered by Disqus
Comments policy

Comments go online directly without first being seen or reviewed by editors at Vue. Don't personally attack people, don't be defamatory, don't be spam-atory, don't hawk your band, don't pretend to be someone else, be clear, be on topic, be nice. Read our extended comments policy here. »

We use Disqus for our comments system. What's that all about?

We found that managing the comment community at Vue was easier to do with a system like Disqus. If this isn't straightforward to you, get help here.

Privacy Policy:

Vue respects your privacy. We will not forward your personal information to any other organization except as required by law, and will use your e-mail address only to respond to your comments. We reserve the right to edit and remove comments for length, clarity and/or if they are illegal or inappropriate. Your email address is never shown to visitors to vueweekly.com. Read the whole policy at: http://vueweekly.com/privacy

↑ Up to story | ↑ Up to comments