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Mar. 20, 2013 - Issue #909: Water Crisis

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Doctor Zhivago

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Seen now, David Lean's three-hours-plus adaptation of Boris Pasternak's 1957 novel Doctor Zhivago, a massive hit in the 1960s (adjusted for inflation, it's estimated as the eighth highest-grossing film ever released in the US), immerses us more in the golden period of Hollywood epics than in its early-20th-century Russian romance. For Lean, coming off the success of Lawrence of Arabia, this wintry saga showcases his brilliance at set-pieces, both sweeping in scope and momentous in miniature. There's the young boy Zhivago caught up in a Dickensian Gothic (Lean had directed Great Expectations and Oliver Twist) introduction to death on the steppes; the young man Zhivago (Omar Sharif) happening to sit behind cool-eyed Lara (Julie Christie) on a Moscow tram; the lofty cruelty of Victor Komarovsky (Rod Steiger) pitted against the high-minded, rebellious zeal of Lara's paramour Pasha (Tom Courtenay); the brutal waste of so many Russian lives on the First World War's Eastern front. And, always ready to warble up from the orchestra, the balalaika-driven Lara's Theme—one of the most famous musical leitmotifs ever.

There's some stodginess to all this (as in the wooden ranks-breaking scene near the front) and too much melodrama (warning to your liver if you play a vodka drinking-game for every scene where a character's eyes glisten). But Lean takes his time to build a seemingly high-browed, novelistic, intimate pace out of the era's seething political fervour (compare today's Les Misérables, which never sits still in its efforts to lash at every emotion under the revolutionary flag). While Pasternak's novel was critical of the October Revolution, this Western production threatens to reduce Bolsheviks to semi-humans bent on imposing humourlessness on all of Russia. But there's much to be said—more so in 1965, at the height of the Cold War—for the film's sly immersion, through fraught romance, of its viewers in a snowbound, poverty-stricken, striving-for-progress Soviet Union. Doctor Zhivago gives a rather bold, broad (sometimes too broad) context for the century's greatest, most brutal and self-imploding failure at the Communist experiment. It ends up being entertaining, if not always nuanced or thoughtful, political history.

Wed, Mar 27 (7 pm)
Directed by David Lean
Metro Cinema at the Garneau
Originally released: 1965
 
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