Feb. 01, 2012 - Issue #850: Godot
One For the Money
Stop, or Katherine Heigl will shoot
» Bounty huntin' Heigl
Everyone's in it for the money and going through the broad emotions, it seems, with nary a visual oomph! or script pow! to be detected. Most American-ly, the flick ignores its racial issues for the sake of white romance and heroism: Plum's threatened by a Hispanic man in a cage but rescued by Morelli; after Lula, a black prostitute, gets beaten up, Plum channels her anger into the target at a firing-range, kills the baddie behind it all, and Plum's white, semi-pervy boss gets Lula an office job. Meanwhile, the supposedly feisty Plum keeps following the lead of the two hunky men in her life. Scrape off the Elmore-Leonard-lite scuzz, and One For The Money's just a retroinactive rom-com. vueweekly.com comments: powered by Disqus
Privacy Policy:
Vue respects your privacy. We will not forward your personal information to any other organization except as required by law, and will use your e-mail address only to respond to your comments. We reserve the right to edit and remove comments for length, clarity and/or if they are illegal or inappropriate. Your email address is never shown to visitors to vueweekly.com. Read the whole policy at: http://vueweekly.com/privacy






Comments policy
Comments go online directly without first being seen or reviewed by editors at Vue. Don't personally attack people, don't be defamatory, don't be spam-atory, don't hawk your band, don't pretend to be someone else, be clear, be on topic, be nice. Read our extended comments policy here. »
We use Disqus for our comments system. What's that all about?
We found that managing the comment community at Vue was easier to do with a system like Disqus. If this isn't straightforward to you, get help here.